At the first news of pandemic,
thinking this might really be the end.
Finally.
And in that moment feeling like a fish
released from rough and awkward hands,
arcing into the silk envelope
of a stream
weightless.
Like when I’ve been dancing, spinning
in heated centrifuge
until the body’s layers
separate ripple out
or after the three Manhattans it’s taken
to strip the thick veneer of surface, let
the mirror slip and puddle at my ankles.
But all that relief short-lived
more like after the water’s skin
accepts the penny thrown at it, slight
disturbance, momentary flutter
then still again
every wish swallowed
because though I’ve tried
I never could shed
the inherited corpse,
the sarcophagus of flesh and bone,
couldn’t unzip myself from its thick-
walled tenement, abandon it
drowned at the bottom
of some baptismal tub.
Maybe the pastor should have held me
under longer. Maybe the problem
is I have been all surface, sins
that should have weighted me
instead keeping me
afloat.
Surfeit of nothing.
Anchoring paradox:
At once all body
and nobody
because whether you starve it
or pour all manner of things into it
you still have to believe a body matters
that its weight on this earth is worth
inhabiting
even when the earth itself isn’t worth
inhabiting because it’s going to fall
away soon, too.
All those days I came home
to an empty house, neighbors not
answering my knock, no one
picking up the phone I convinced
myself all the good people
had been raptured, lifted like air.
And me?
left behind
weighted to the earth
because I was never
any good
at being good
so when my mom walked through the door
balancing groceries on her hip
and the neighbor’s Chevy growled
into their drive and the phone vibrated
against the wall, a boy calling,
I resolved to be better
one way or another
to weigh less
Elizabeth Johnston Ambrose (she/her) is the author of two chapbooks: Wild Things, (Main Street Rag, 2021) and Imago, Dei (winner, Rattle Chapbook Poetry Prize, 2022). Her writing appears or is forthcoming in The Atlantic, The Sun, McSweeney’s, Lunch Ticket, Verse Daily, and The Massachusetts Review, among others. Awarded the 2025 Betsy Colquitt Poetry Prize, Elizabeth teaches writing and gender studies in Rochester, NY where she also leads trauma-writing workshops at the Breast Cancer Coalition and serves on the board of Just Poets. Elizabeth reads for Trio House Press.
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